In John Hayden Howard‘s vintage sci-fi anthology, Reawakened Worlds, Vol One (WildBlue Press, 2023) Henry and Hank share an strange and untenable bond.
This novelette by John Hayden Howard, written in 1951, kicks off the Reawakened Worlds series with a bang. Or I should say, with a headset.
Here’s the gist of the Diddoh story (the first of eight stories in the book):
Henry is a professor, leading an extremely predictable and somewhat boring life. He’s considering a few life-changing options. Suddenly a third, more macabre choice presents itself:
(Image links to Reawakened Worlds paperback.)
Henry opts to connect his brain to the body of that once-a-cadaver. The idea is to allow him to be in two places at the same time–to accomplish more. I think that could be useful– what if I could write a book at home while also being with my grandchildren in another state? What would you do if you could be in two places at the same time?
At first, for Henry, it seems exciting:
(Image links to Reawakened Worlds on Kindle.)
But as the story progresses, Henry’s bizarre attempt to manipulate Hank’s brain becomes problematic. Hank desperately wants to be independent–to be his own person and have his own family. Yet the two men are inexorably tied together.
(Image links to Reawakened Worlds audiobook.)
As this vintage sci-fi story progresses, I find myself rooting for Hank, although he does commit a murder in self-defense. (The stories in Reawakened Worlds are clean, but yes, some people die.) And being permanently tied to Henry is impossible, leading to a dramatic ending to the story.
To truly immerse yourself in the story and enjoy Howard’s unique storytelling skills, you can find the full story, along with seven other stories, in the anthology in Volume One. But if you’ve already read “The Tragedy of Henry Diddoh,” can you tell me what you liked about it in a comment below?
As compiler and editor of this anthology series, I’ve gone over all the stories multiple times. Yet with each read I end up pondering a different aspect of this story. I’d love to hear your thoughts.
Laurie
All stories in the Reawakened Worlds Series were written between 1950 and 1977, including some previously published stories. Copyright of the author’s stories belongs to the Estate of John Hayden Howard.
Here’s a fun little teaser for Volume One of Reawakened Worlds: Vintage Dystopian and Sci-Fi:
This Reawakened Worlds video is for the first collection of short stories and novelettes by John Hayden Howard. I enjoyed compiling his vintage works as his literary estate executor, and writing the Foreword and Afterword.
The second set of stories, VOL 2, is in the works, with publisher deadlines this week. Aaaack! WildBlue Press, my publisher, created this trailer, which I appreciate. I hope you enjoy it!
Reawakened Worlds: Vintage Dystopian and Sci-Fi VOL One is currently in eBook, Audible audiobook, paperback, and hardcover formats.
The Kindle version is available internationally, in English, and can be read on any device (any type of computer, phone, tablet, or Kindle reader) via the Kindle App in Google Play or Apple. Read more about John Hayden Howardhere.
In REAWAKENED WORLDS Vol. One, 1950s university professors & archaeologists, 1940s boxers, and 1960s teen surfers all have mysterious encounters.
Well, I must admit I was thrilled to see Reawakened Worlds was listed on Amazon for nearly a month as the #1 New Release in Classic Science Fiction eBooks! And the hardcover is a beauty to behold.
Would you believe that after my compiling and editing it umpteen times, on receiving the hardcover I sat up all night reading it? Some clever turns of phrases jumped out at me like never before.
I must admit, I’ve become hooked on Hayden.
But before I tell you why, let me give you the list of the eight stories in this book, Vol One. (Vol. Two, releasing next year, will have eight more!) After my Foreword, where I introduce Hayden, in Part One: WHAT IF, is:
The Tragedy of Henry Diddoh: In a university town in a secret laboratory, a Frankenstein-esque experiment enables a professor to be in two places at the same time. Disastrous consequences ensue. Written in St. Augustine, FL, in 1951.
Ten Rounds for the All-Time Champ: A late 1940s boxer goes ten rounds against a stranger, with an even stranger audience, in hopes of remaining the champ. Written in St. Augustine, FL in 1951.
We Specialists: In a large city in the future, everyone takes comfort in their designated roles. That doesn’t end well when the victim, KittyG3, can’t find the right person to call for help. Written in Santa Barbara, CA in 1967.
Part Two: STRANGE ENCOUNTERS ON EARTH
Gremmie’s Reef: A young teen surfing off the coast of Santa Barbara, California, makes an unusual discovery. Written in Santa Barbara, CA and previously published in If, October 1964.
The Butcher: Students working an archaeological dig in the New Mexico find something unearthly. Written in St. Augustine, FL in 1951.
Arctic Invasion: In the Canadian Arctic, a group of indigenous people suspiciously appear to have been taken over by an alien presence. Dr. West, who has been researching them, tries to escape while snow-blinded. Bear attack included. Written in Santa Barbara, CA in 1966. Previously titled “The Eskimo Invasion,” in Galaxy Science Fiction, June 1966, Galaxy Magazine (UK) Jan/Feb 1967, with an Italian translation in 1967. Nominated for a Hugo award. This story later became part of the novel The Eskimo Invasion, nominated for the 1967 Nebula Award: Best Novel.
Part 3: INTERPLANETARY TALES
Haranu: On Mars, an Earthman settler’s innocent dog nearly gets his master killed. The man finds a more peaceful solution with the help of a Martian, but the dog now must choose between two masters. Written in Miami, FL in 1950.
Mutiny in the Orbit of Uranus: In outer space a spaceship crew attempts a takeover, culminating in a massive anti-gravity battle. Written in Santa Barbara, CA in the mid-1950s-60s. A female navigator is the heroine of this story.
AFTERWORD: Hidden Facts About Hayden
John Hayden Howard’s literary style:
What impressed me, while compiling these fiction short stories, was realizing how the author’s writing reaches readers (myself, included) who don’t ordinarily read sci-fi. Perhaps that’s because he had a literary style using clever wordplay with subtlety, humor, vivid descriptions, and unusual, strong characters. I simply enjoy a good story. But I enjoy too the little twists at the end of many of his stories that make me smile. Satisfying endings which often revealed his sense of humor, capping the stories off perfectly.
I also like that his stories make me think. His vocabulary was broader than mine, so I confess to looking up a few words, but am glad to now know them. He also used 1950s and 1960s slang, but not in a forced look-what-I-did way, because he actually wrote the stories in those time periods and likely used that slang himself.
One story in Reawakened Worlds Vol One–The Tragedy of Henry Diddoh–made me think: What might happen if I could actually be two places at the same time? In that story, a literary professor, Henry, tries to accomplish twice what he might otherwise, by sharing his mind with a once-cadaver via a science experiment. His double–dubbed Hank–longs to separate from Henry and be an independent person and even falls in love. But sadly, he is inexorably linked to Henry, for good and bad. Many of Hayden’s stories provoke what-if thoughts and feelings for the characters.
Jack the Pro-Writer
Also impressing me was John Hayden Howard’s stellar level of professionalism as a writer. Even his 1950s manuscripts, typed on a typewriter (so of course retyped, retyped, retyped) were in perfect manuscript format, ready to send his literary agent who placed many of his stories (he sold his works 73 times). Yes: in the 1960s, agents handled short stories, for the many pulp magazines looking for stories before television affected the decline of fiction magazines.
By now, many of you already realize I always knew Hayden simply as “Jack,” who married my mother when I was a young adult. So yes, I loved him for the person he was before I ever knew he wrote so much and so well. But now I’m his fan, too. Heavens, this almost sounds like a book review for Reawakened Worlds. I guess it is, since I didn’t write his stories, can I boast about them. After all, I never would have invested years of time in getting his stories in print now had I not thought they are terrific. I actually have a book of my own I’m also eager to get back to writing, but here I am, raving about Jack.
If you’ve already read stories in this book, I would love to know which ones are your favorites and why, either in a comment here or a review of the book.
If you haven’t read it yet, here’s a link to the Kindle version of Reawakened Worlds (9/7/2023 ranking, today, #164 in Classic Science Fiction eBooks.) It’s also in paperback and hardcover, with the audiobook being released soon with a fantastic narrator.
In his fun short stories, John Hayden Howard used creative wordplay and unique characterization in 1940s to 1960s historical settings.
The Oxford Language Dictionary defines wordplay as “the witty exploitation of the meanings and ambiguities of words.” My own definition might be “describing settings and characters in an unusually creative way that make me laugh, or say a-hah!”
When I see words like speed graphics and box brownies, I get the gist of them while knowing I’ve a bit to learn about old-timey camera equipment. Since Hayden wrote this story between 1951-’52 (based on the address on his original manuscript, written in St. Augustine FL) and set the story in the 1940s, there was no need for him to explain what kind of equipment this was to his readers back then.
But for the curious 2020s crowd, this is what those historic cameras looked like:
Graflex Speed Graphic camera (Creative Commons)Kodak Brownie camera
Also note the way Hayden describes the appearance of the reporters: “Country, with bowl-head haircuts, pants don’t break on their shoe-tops, one still with a price tag on his coat.” So much imagery there! Those words also reveal the opinions and personality of the main character, The Champ, telling his story in first person.
Also in this same story, Hayden drops breadcrumbs about time travelers. Pay close attention to those breadcrumbs, as they greatly impact what happens at the end of the story. Who, exactly, is the champ fighting?
Some strong yet subtle clues come in near the end of the story, for example: “You were my hero when I was a kid.” Don’t miss those clues! The last few lines of the story are especially subtle reveals. If you aren’t already familiar with Joe Louis, Jack Dempsey, and Jack Johnson, see their biographies.
Here are hints though: these were the time periods in which these 3 boxers were champions—Joe Lewis (1934-1951), Jack Dempsey (1919-1926), and Jack Johnson (1908-1915). Galento fought Joe Lewis in 1931. There’s a fun Wikipedia article on Galento, who was said to have boxed a kangaroo and then a bear, as publicity stunts. And as you keep all these dates in mind, remember that the boxing match in Ten Rounds for the All-Time Champ was set in the late 1940s. I wish I’d known all this before I read this story, as it makes it twice the fun.
I must be honest though that Hayden fooled me. When I realized all the previously mentioned boxers were real, I assumed Redhead must be too. I spent an hour searching the internet for a famous boxer named Taylor in 1951. I felt like a dummy later, realizing it was impossible, because Hayden wrote this story when he was only 26 years old. Meaning–all boxers he knew of had to be alive then or before that. Any future boxers would still be babies or not born yet. If this still puzzles you, or if you get it, tweet me @LaurieSargent. I’m just hoping not to introduce a story spoiler here if you intend to readReawakened Worlds.
The story is especially fun to read in the print editions, as the ten rounds are laid out neatly, and the collectable hardcover is a delight to hold. Can you tell that I’m one of Hayden Howard’s greatest fans? Volume Two will be out in 2024 and hopefully a boxed set. Also, the audiobook is now in production, and I already like what the narrator is doing to make The Champ’s boxing match exciting.
I admit that I’m biased, but I never would have compiled and edited his works had I not loved his stories and creative characters. I must add too that I’m not the kind of person who likes to watch boxing, so this story drew me in specifically by the characters, historical references, and surprise ending.
